Paula Hawkins worked in journalism for fifteen years, writing for a variety of publications and media on a range of subjects, from money to art and science.
Born and brought up in Zimbabwe, Paula moved to London in 1989 and has lived there ever since, apart from brief sojourns in Paris, Brussels and Oxford, where she studied Philosophy, Politics and Economics.
Paula’s debut thriller The Girl on the Train is a stealthily cool psychological thriller about human frailty and obsession. Transworld published in Doubleday hardcover in January 2015 and it is now one of the top 10 best-selling hardbacks of all time. It has sold 15 million copies worldwide, in fifty countries and over forty languages, making it one of the most successful debut novels in history. The Girl on the Train returned to its position as the number one bestseller in the UK (in hardcover), the US (combined hardcover and ebook sales), and Canada, exactly a year after first publication.
In the UK, The Girl on the Train was the bestselling work of original fiction of 2015, selling over 2.5 million copies, and has broken the all-time record for the number of weeks at No.1 on the Neilsen BookScan chart for Original Fiction (29). It is the only title since records began to top both the Original Fiction and Mass Market Fiction charts for the first half of the year.
In the US, The Girl on the Train topped the New York Times Bestseller list for 21 weeks, selling over 4.5 million copies – equal to over 2,386 Empire State Buildings in height.
A film adaptation of The Girl on the Train produced by DreamWorks Pictures, directed by Tate Taylor and starring Emily Blunt, is set for release this October.
The novel was also adapted for Radio 4’s Book at Bedtime in July 2015.
Praise for The Girl on the Train:
‘Really great suspense novel. Kept me up most of the night. The alcoholic narrator is dead perfect’ – Stephen King
‘Gripping, enthralling – a top-notch thriller and a compulsive read’ – S. J. Watson
‘Hawkins handles [the tension] superbly, nibbling away at Rachel’s memories until we, like our sardonic, bitterly honest narrator, aren’t really sure we want to know what happened at all. The thriller scene will have to up its game if it’s to match Hawkins this year’ – Alison Flood, Guardian
‘The Girl on the Train was so thrilling and tense and wildly unpredictable, it sucked up my entire afternoon. I simply could not put it down. Not to be missed!’ – Tess Gerritsen
‘What a group of characters, what a situation, what a book! It’s Alfred Hitchcock for a new generation and a new era’ – Terry Hayes, author of I AM PILGRIM
‘Artfully crafted and utterly riveting. The Girl on the Train‘s clever structure and expert pacing will keep you perched on the edge of your seat, but it’s Hawkins’ deft, empathetic characterization that will leave you pondering this harrowing, thought-provoking story about the power of memory and the danger of envy.’—Kimberly McCreight, New York Times-bestselling author of RECONSTRUCTING AMELIA